South Carolina Fiction Project
The South Carolina Arts Commission is proud to announce the winners of the 2008 South Carolina Fiction Project, a contest of previously unpublished short stories sponsored in partnership with The Post and Courier.
The twelve winning stories were published in a special insert of The Post and Courier on September 21, 2008. The stories are also published electronically on the Post and Courier web site. Stories are judged by a panel of professional writers.
The deadline for submissions to the 2009 South Carolina Fiction Project is January 15, 2009.
This year's honorees are:
- Johnny R. Beavers, Greeleyville
- Tony Bertauski, Charleston
- Cynthia Boiter, Chapin
- Kim Catanzarite, Charleston
- Phillip Gardner, Darlington
- Ed Madden, Columbia
- James D. McCallister, West Columbia
- Alisha Reid, Columbia
- Jocelyn Rish, Summerville
- Jean Robbins, Seneca
- Doug Wedge, Charleston
- David A. Wright, Columbia
Ed Madden ("Room 208 ")
is an associate professor of English at the University of South Carolina. His first book of poetry, Signals, won the 2007 South Carolina Poetry Book Contest and was published earlier this year by USC Press. He was also selected for inclusion in Best New Poets 2007, edited by Natasha Trethewey. His poems have appeared in many journals and anthologies, including The Book of Irish American Poetry from the Eighteenth Century to the Present and in The Southern Poetry Anthology: South Carolina. He lives in Columbia with his partner of 14 years, Bert Easter. This is his first published short story.
Randall Kenan is the author of a novel, A Visitation of Spirits; two works of non-fiction, Walking on Water: Black American Lives at the Turn of the Twenty-First Century and The Fire This Time; a young adult biography of James Baldwin; and a collection of stories, Let the Dead Bury Their Dead, (a finalist for the National Book Critics Circle Award). Among his awards are a Guggenheim Fellowship, the John Dos Passos Prize, a Whiting Writers Award, and the American Academy of Arts and Letters' Prix de Rome. He is associate professor of English at UNC-Chapel Hill.His comments on judging the 2008 S.C. Fiction Project: "It was a distinct honor and privilege to read so much good writing and to have had a small hand in selecting a group that should make everyone rejoice. The time-worn worries about the demise of Southern literature is clearly unwarranted. This group proves not only that writers in and of and from the South are going strong, but that they are growing along with the landscape in the face of cell phones and the internet and globalization. You will see a distinctness in line with the Old Guard of Southern Letters -- that sense of place, that preoccupation with religion, that shadow of race, that reveling in certain foodways and certain music -- but you will also find a freshness and a humanity and a consciousness and craft that stands among the very best of twenty-first century World Literature. South Carolina should be proud of its newest literary daughters and sons. I'm proud to have read them."
Pamela Duncan was born in Asheville and raised in Black Mountain, Swannanoa and Shelby, NC, and currently lives in Saxapahaw, NC. She holds a BA in Journalism from The University of North Carolina at Chapel Hill and an MA in English/Creative Writing from North Carolina State University in Raleigh. Her first novel, Moon Women, was a Southeast Booksellers Association Award Finalist, and her second novel, Plant Life, won the 2003 Sir Walter Raleigh Award for Fiction. She is the recipient of the 2007 James Still Award for Writing about the Appalachian South, awarded by the Fellowship of Southern Writers. Her third novel, The Big Beautiful, was published in March 2007. She will be teaching creative writing at Western Carolina University in Cullowhee, NC starting this August.
Web site: www.pameladuncan.com.
Her comments on judging the 2008 S.C. Fiction Project: "I'm so honored and proud to have been involved as a judge for the 2008 South Carolina Fiction Project. It's a wonderful program, not only because it offers an opportunity for writers to get their work out to readers, but also because it encourages readers to look at writing by new voices. And that's what impressed me most, the voices - their power and quality and diversity. These writers clearly have stories they are burning to tell, and the talent and unique voices to tell them with. It was so hard to narrow the field because so many were wonderful and unforgettable. These stories tickled me, made me cry, scared me, moved me, and sometimes made me say, 'Lord, I wish I'd written that!' One thing many of them had in common was the courage and strength of their characters. Strong women stand up to dangerous men, decent men struggle with temptation, older folks look death in the eye and deal with loss, children face difficult and sometimes fearsome challenges. Fathers and sons, mothers and daughters, childless parents and parentless children, families and communities in all their many varieties and convolutions wrangle with life and with each other. I loved listening to all these voices, and to the refrain humming through each story: 'Don't forget, always remember, this is how it was, this is how it is, this is how it should be.' "

