South Carolina Arts Commission

Current Recipients

Jean Laney Harris Folk Heritage Award

2022 Recipients

Justin Guy

Artist Category | Traditional Alkaline-Glazed Stoneware Pottery | Edgefield

From his roots in the Trenton area of Edgefield County, JUSTIN GUY has achieved acclaim as a potter after working in the craft more than 30 years. Fascinated by the pottery from a young age, he graduated from the University of South Carolina, earning a Bachelor of Fine Arts with a focus on ceramics. After school he was artist-in-residence at Taiwan’s Tainan National University for the Fine Arts, where he learned Taiwanese and other Asian ceramic processes, specifically as they relate to the tea cultures in Japan, Korea and Taiwan. Additional travels across the U.S. and Europe yielded further revelations a professional ceramicist should know. Guy returned to South Carolina and began a teaching career in higher education institutions, serving multiple times at UofSC Aiken with stops at Columbia College, and Piedmont Technical College in between. Additional artist residencies during his career include the McKissick and South Carolina State museums, the Columbia Museum of Art, and area schools. His works have received honors in multiple instances of the Palmetto Hands Fine Craft Competition and Exhibition and the South Carolina State Fair. Guy is currently the master potter of the Phoenix Factory’s Old Edgefield Pottery, which has produced pottery in South Carolina for more than 200 years.

Ann Phillips

Advocacy Category | Quiltmaking | Sumter

For centuries, South Carolina women have contributed to their communities artistically, culturally, and socially through the making of quilts. Though Alabama born, ANN PHILLIPS of Sumter is a 40-year contributor herself. As a child, seated under her mother’s quilt frame, she threaded needles and learned to make a secure knot. However, she didn’t begin quilting until her husband’s military job landed the Phillipses in Sumter; Phillips felt their new country home needed quilts. Central to her approach is taking a traditional quilt block pattern and using it in a new way to great visual effect. Phillips has shown immense creativity and elevated the artistry of quiltmaking. She will change the set of a block, put it on point, or frame it with multiple borders or use non-traditional fabrics and colors with the same pattern. Quilting groups in South Carolina invite her for trunk shows and presentations to demonstrate taking a traditional, simple quilt block design and doing something new with it. Phillips’ work is regularly included at the South Carolina State Fair, and she shares her skill in her community: Through partnerships at her church, she assists in making quilts for a Sumter pregnancy center, all babies born to Shaw Air Force Base families, and for area assisted living centers.

Duncan Rutherfurd

Advocacy Category | Custom Knifemaking | Aiken

The gift of a knife to elementary-aged DUNCAN RUTHERFURD sparked an interest that resulted in tireless dedication to raising public awareness and appreciation of South Carolina’s knifemaking tradition. Rutherfurd is an encyclopedia of information on knifemakers in the state, though he is not one himself, and today’s knifemakers have him to thank for advocacy efforts that keep the tradition strong. Knifemaking, though specialized, has roots in blacksmithing—an essential trade for the farmers of a state dominated by agriculture. Though blacksmithing is no longer widespread anywhere, knifemaking proliferates in South Carolina because of Rutherfurd’s modernizing influence. In late 1970’s he helped organize and promote a knife show for the Aiken Arms Collectors Association. At the time, such shows were the primary way makers reached large audiences. At one of those early shows, while exhibiting his vast collection of South Carolina knives (which he still does today), he conceived of what became the South Carolina Association of Knifemakers (SCAK), a network of support and learning as makers and marketers during the pre-internet 1980’s and 1990’s. As internet usage exploded, Rutherfurd used his IT background to mentor SCAK members on using it to market their wares and themselves as makers. SCAK members recognized Rutherfurd’s tremendous contributions to South Carolina’s knifemaking community with an honorary membership. He served as an advisor to McKissick Museum’s curatorial team on the exhibition Carolina Knives: The Roots of a Revival in 2021. Rutherfurd’s collection was core to one of its storylines and provided a bridge between the older generation of knifemakers and a new generation, which recently organized the South Carolina Custom Knifemakers’ Guild.