“Emerging artists” are defined as those who are at an early stage in their career development (specifically, artists who are starting their careers and have been active for one to five years).
Further, the term “emerging” refers to professional accomplishments and recognition, not to stylistic evolution.
The South Carolina Arts Commission recognized the needs of artists who fit into this category—of any age.
Thus was born a grant and accompanying program designed to assist emerging artists in South Carolina through project grant funding of as much as $1,800 as well as free mentorship and professional support during the grant period.
This page is a showcase of the current grantees and work samples resulting from their involvement in the program.
When soliciting artist statements, the South Carolina Arts Commission provides artists complete latitude for those statements they craft to take any form. Publication of said statements does not—and should not be understood to—indicate endorsement by the state of South Carolina, SCAC, or agents thereof.
Representative works are furnished by the artists. All rights reserved.
A 24-year-old Walterboro native and passionate visual storyteller with a deep love for filmmaking, sports, and digital media. I thrive in bringing creative visions to life. Whether behind the camera, in the editing room, or collaborating with a team, I’m dedicated to crafting compelling, high-quality content that resonates will people and invokes questions. I take pride in every detail—because to me, creating isn’t just work, it’s what I love to do.
South Carolina-based graphic designer/fine artist Tripp Brown reflects his worldview with a boundless approach to design. Brown studied at Coker University, earning a BFA with Honors in studio art. Utilizing found/aged materials mixed with print techniques such as risograph and image transfers, he has created a “post-apocalyptic pop” art style influenced by advertising and the degradation of time.
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Anna Huff is a multimedia artist who seeks pathways between physical and digital realities. Her sculptural and installation work often incorporates themes of technology and religion, using projectors, glass, and other ephemeral materials to create introspective experiences. Anna holds a BFA in interdisciplinary sculpture from the Maryland Institute College of Art and began her career as a furniture maker. Her work has been exhibited primarily in the Southeast, with notable showings at Tiger Strikes Asteroid, ArtFields, Greenville Center for Creative Arts, Artisphere, and Rattlesnake Art Magazine. She has also studied at renowned craft schools such as Penland and Arrowmont and is a current member of Zero Space Art Collective.
Anna serves as the curator for the Dolly F. Pardi Gallery at the Metropolitan Arts Council and a guest curator at The Bascom in North Carolina. She currently lives and works in Greenville with her cat, Popcorn.
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Yasmin J. (they/she) is an Afro-surrealist writer-director and interdisciplinary artist whose work explores vulnerability and humanity through mixed media and intuitive storytelling. A Wofford College alum, they create emotionally grounded films that blend modern folklore with romanticized visuals to address intersectional themes such as misogynoir, collective trauma, and belonging. Their practice is shaped by generational memory and identity, unfolding like quiet thoughts before sleep.
Kathleen Sahtunkinish belongs to the federally recognized Native American tribe, the Caddo Nation of Oklahoma. Despite growing up surrounded by beautiful family beadwork, Kathleen taught herself how to bead incorporating Native American themes, techniques, and styles. Since 2019 she has sold beaded earrings online and at artisan markets. Recent traditional Caddo pottery classes, taught by a master Caddo potter, inspired Kathleen to begin exploring a new direction for her art, incorporating ceramics into her beaded jewelry. Her ceramic and beaded earrings have been featured in museum exhibits across the U.S. and Canada. Regarding her motivation for creating traditional Native American jewelry, she strives to show how her ancestors’ ancient knowledge and culture can enrich modern art. She lives with her husband and son in Rock Hill.
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Delaney MeSun Shin is an interdisciplinary artist whose work delves into the complex layers of her personal and cultural identity. Shin’s practice seamlessly fuses biological imagery with themes of heritage, creating a dynamic interplay between science and art. Whether through immersive installations or 2D and 3D compositions, her work offers a compelling exploration of identity, weaving together her roots, cultural experiences, and her deep interest in microbiology.
Drawing from both the natural sciences and her biracial Korean-Caucasian background, Shin’s artistic voice carries a sense of authenticity and deep self-reflection. Her mastery in drawing and painting allows her to use paper as a versatile medium, pushing its boundaries to create evocative and immersive spaces.
Delaney earned her Master of Fine Arts in two-dimensional studies from Bowling Green State University with a concentration in painting and her Bachelor of Fine Arts from the University of Wisconsin-Stout, where she specialized in drawing and minored in art history.
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Maya Simone is an award-winning director, writer, and actress based in Elgin. In 2025, Maya was awarded the Silberman Family Emerging Filmmaker Scholarship from Uptilt Film Fest. In 2024, “Mouseshrooms,” a film Maya co-wrote, won Best Film and Runner Up: Writing at the 2024 Film48 Greensboro Competition. She was a 2023 Gotham Film and Media Career Development Program participant (where she received the Sidney Poitier Scholarship), an HBCU 2020 x Martian Blueberry Writer’s Fellowship candidate, and a Pubantz Artist-in-Residence artist where she is created her romantic comedy “Rosa’s Dilemma.”
In her films, Maya creates the kind of stories her younger self longed to see growing up while exploring topics regarding the black community and personal identity in the process.
When soliciting artist statements, the South Carolina Arts Commission provides artists complete latitude for those statements they craft to take any form. Publication of said statements does not—and should not be understood to—indicate endorsement by the state of South Carolina, SCAC, or agents thereof.
Representative works are furnished by the artists. All rights reserved.
Lacey Bates is a professional dancer, choreographer, and educator from Myrtle Beach. She holds a bachelor’s in dance and arts management from the College of Charleston and master’s in education from Holy Names University. In Charleston, Lacey performed with Annex Dance Company and Dance Lab’s Entertainment Company and shared the stage with Weird Al Yankovic and Beats Antique during their local tour stops. During her time in the San Francisco Bay Area, she worked with prominent companies such as PUSH Dance Company, Visceral Roots Dance Company, Printz Dance Project, and A Pulso Dance Project. She also served as co-artistic director of The Collective SF, a collaborative dance company. Lacey has over 10 years of teaching experience in public schools, non-profits, and renowned institutions like ODC and Alonzo King LINES Ballet. After five years in the Bay Area, she returned to Charleston, where she continues to contribute to the dance community as a public school dance educator, a performer with Elevate Performance Company, and as the artistic director of Collective SC.
Torres Fontain Jr. is a filmmaker and writer deeply influenced by his upbringing in the close-knit community of Camden. An early exposure to tales shared by his community elders and the camaraderie of his teammates shaped Torres’s understanding of storytelling as a vital tool for community building.
Torres strives to create narratives with engaging character relationships that reflect the complexity and diversity of the relationships he observes in his own life. Beyond his own creative pursuits, he is dedicated to education, conducting media literacy workshops for students of all ages, empowering them to navigate and critically engage with media in the modern world.
Maggie Genoble (b. 2001 is an interdisciplinary artist working within feminist and queer studies as it relates to the emergence of new technology. She works across a range of media, utilizing sculpture, video, and installation to generate hybrid figures in a time when the human body is highly digitized and politicized. Growing up in the conservative South, she responds to rigid, normative performances of gender and sexuality, working through nontraditional modes of representation in her practice to expand on ideas of identity. Genoble recently completed a bachelor’s in studio art and art history from Wofford College, where she received the Whetsell Fellowship, leading to a solo exhibition. She was the inaugural artist in residence at Tiger Strikes Asteroid Greenville, presenting a solo exhibition with the support of the Foundation of Contemporary Arts; was selected as a Tri State Sculpture Association Memorial Fellow; and has a forthcoming two-person exhibition at the Thornback Gallery in Greenville titled Pink Noise.
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Aulani Pau is an emerging 3D animator and graphic designer whose Polynesian roots form the foundation of her artistic journey. Growing up in Hawaii, she participated in grassroots arts programs like Honolulu’s City and County Summer Fun program, which nurtured her creativity and passion for storytelling. With degrees in computer animation from Full Sail University and graphic design from The Art Institute of Pittsburgh, she combines cultural inspiration with technical expertise to craft impactful motion graphics, 3D renderings, and integrated designs.
Jason Rogers is a sculptor/potter in the Catawba Indian tribe based in Rock Hill. I’ve been through a few different mentorship opportunities in our tribe and have had several pieces featured in several exhibitions in my surrounding states. I take ancient traditional methods and create new pieces to share with the world that represents my culture as a Native American Artist. My work is inspired by trying to create something new but from ancient traditional practices.
When I’m not sculpting or creating pottery, I am a father to 3 and a husband to the most amazing wife I could ever dream of.
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Julia Vanderpool is a Charleston-based artist with a background in photojournalism. She holds a bachelor’s in news editorial with minors in art, psychology and history. After working as a photojournalist for four newspapers, Julia took a hiatus to raise four daughters and manage a family business. Her art practice is primarily in silkscreen printing, working between the photo darkroom and the screen printing lab at Redux Contemporary Art Center. Julia is currently reimagining her 30-year-old archived black-and-white negatives, reinterpreting them into vibrant and expressive screen prints.
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Nathalie Watson is an Afro-Latina environmental portrait photographer and cinematographer based in Charleston. With nine years (four professionally) of experience, her work explores the connection between nature using elements like water, fields, and trees to illuminate the brilliance of melanine skin tones. Formerly visual production manager for The Conqueror Movement, she produced Nurturing Your Light, a documentary on mental health and diverse self-care practices in the black community.
Now creative director for Da Gullah Geechee Influence, Nathalie captures the heritage and traditions of her Gullah Geechee culture. Her debut solo exhibition, Storyboarding Through Her Lens at One Columbia Art Center, depicted life’s complex emotions through cinematic visuals. Internationally recognized at the Monaco Art Fair, her art honors the voices and legacy of her community by challenging misrepresentations of media and celebrates the authentic and diverse perspective of the black culture and experience.
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If you are seeking more program information, please contact Artist Development Director Tanisha N. Brown (803.734.8043 | tbrown@arts.sc.gov).